An ecological alternative to dry-cleaning of historical textiles
Karla Castillo Leyva
Mexico
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Big banners, tight spaces: Storage solutions at the Hispanic Society of America
Joy Davis, Janet Lee, Kirsten Schoonmaker
Fashion Institute of Technology (FIT), New York Historical Society, FIT
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Hanging Around: Unobtrusive display solutions for working clothes in the Barbara Hepworth Studio
Stella Gardner, Alison Lister ACR, Abigail Tyler
Textile Conservation Limited, UK
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Costumes on the move
Sarah Gates, Anne Getts
Fine Arts Museums of San Francisco, USA
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When mobility is the cause of damage: The conservation of a 1950’s handbag
Zoë Lanceley, Karen Thompson
Private Practice, Centre for Textile Conservation and Technical Art History, University of Glasgow, UK
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Traditionally ornamented 17th century woolen shawl: Research, conservation and reconstruction
Jana Libiete, Indra Saulesleja, Indra Tuna, Irita Zeiere
National History Museum of Latvia, Latvia
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Rotation Ready
Denise Migdail, Courtney Helion
Asian Art Museum San Francisco, USA
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The freezer limbo: How low should it go and for how long should it stay?
Sara Reiter
Philadelphia Museum of Art, USA
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Migration of dyes in archaeological textiles from wet sites
Maj Ringgaard
National Museum of Denmark, Denmark
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I have a gel, and I know how to use it! An examination of the working properties of agarose gels in textile conservation
Emma Schmitt
USA
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Supporting double-sided trade banners: How rare earth magnets allow for both sides to be viewed
Gwen Spicer
Spicer Art Conservation, LLC, USA
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Reaping the Benefits: Conserving a Countryman’s Smock for Community Use
Abigail Tyler, Megan De Silva
Textile Conservation Limited, Monmouthshire Museum Service, UK
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Muscogee beaded bandolier bag: Moving from shoulder to storage, from conservation to display
Cathleen Zaret
National Museum of the American Indian, USA
