DATE: Thursday, November 19th, and Friday, November 20th, 2015
TIME: 8.30 am - 4.30 pm
VENUE: Fashion Institute of Technology / Katie Murphy Amphitheatre
Seventh Avenue at 27 Street
New York, NY 10001-5992
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Journey’s End: Moving The Costume Institute from the Grand Scale to the Individual Object
Elizabeth Arenaro, Marci Morimoto, Anne K. Reilly
The Costume Institute at The Metropolitan Museum of Art, USA
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Beads, bugle beads, and exhibition solutions
Margarita Báez Vicke, Lydia García Cruz, Rebeca Rosendo Corona, Sergio Sandoval Arias
Museo Soumaya - Fundación Carlos Slim, Mexico
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Hanging Heavy Carpets – Pros and Cons of the “Berlin System”
Anna Beselin
Museum of Islamic Art, Berlin, Germany
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De-installing and storing of mural textiles at the Decorative Arts Museum - Palace of Rioja
Fanny Espinoza, Catalina Rivera
National Historical Museum of Santiago, Private Practice, Chile
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“Keeping in shape” An investigation into the suitability of using Fosshape™ for costume storage mounts at Historic Royal Palaces
Charlotte Gamper, Emma Henni
Historic Royal Palaces, UK
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Unauthorized movement. The loss of inherent information in archaeological textiles due to the lack of context.
Lilian García-Alonso Alba
Escuela Nacional de Conservación, Restauración y Museografía "Manuel del Castillo Negrete", Mexico
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Unwelcome Zephyrs: Air Circulation and Fabric on Display
Joy Gardiner, Joelle D. J. Wickens
Winterthur Museum, Garden & Library, USA
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Moving Maharajas: The Display and Transportation of Indian Costume and Textiles
Elizabeth-Anne Haldane
Victoria and Albert Museum, UK
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“Movable Architecture” Ottoman tents and aspects of their installation, transit, and storage.
Jerzy Holc
The Museum at Royal Castle-Wawel, Krakow, Poland
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Can Movement be a Conservation Goal? Preserving the Essence of Automata in the Murtogh D. Guinness Collection
Marjorie Jonas, Kathy Francis, Jere Ryder
Museum at the Fashion Institute of Technology, Francis Textile Conservation LLC, Guinness Collection at the Morris Museum, USA
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Acute situations require acute action!
Rebecka Karlsdotter
Private Practice, Sweden
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Removing soiling from clothing with bloodstains
Christina Margariti, Maria Kinti, Archontina Chanialaki
Directorate of Conservation of Ancient and Modern Monuments, Greece / Hellenic Ministry of Culture and Sports, The Textile Conservation Centre, Greece / University of Glasgow, UK
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Loss and recovery from a forced removal
Sylvia Paola Moreno Meneses, Ana-María Teresa Rojas Zepeda
Pontificia Universidad Católica de Chile / Escuela de Artes Aplicadas, y Artes del Fuego, Chile
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Stretch—The Truth: Patrick Kelly’s knit dresses and the stretch, growth and recovery of modern knit fabrics during display at the Philadelphia Museum of Art.
Bernice Morris, Laura Mina
The Philadelphia Museum of Art, The Costume Institute at The Metropolitan Museum of Art, USA
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Moving the Mud Out - cleaning up after flooding at the Museum of the Highwood in High River, Alberta
Gail Niinimaa
Niinimaa Enterprises Inc., Canada
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Beyond Dummies: Enlivening the costume exhibition Charles James: Beyond Fashion with animated content
Glenn Petersen
The Costume Institute at The Metropolitan Museum of Art, USA
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Under a Starry Heaven: The Conservation of a Processional Canopy
Rachel Phelan
Rachel Phelan Textile Conservation, Ireland
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“Should feathers fly?” Risks and challenges concerning feathers in motion
Renée Riedler, Melanie Korn, Johann Wassermann, María Olvido Moreno Guzmán
Worldmuseum, Institute for Mechanics and Mechatronics, Austria / Instituto de Investigaciones Estéticas - Universidad Nacional Autónoma de México, Mexico
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Moving Textiles; reducing stressors on the humans, as well as the textiles: a practical framework for ergonomic systems interventions
Rwth Stuckey, Philip Meyer, Kate Douglas, Annette Soumilas
La Trobe University, Associated Professional Ergonomists, National Gallery of Victoria, Australia
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George Washington Slept Here: The First ‘Oval Office’
Virginia Jarvis Whelan
Filaments Conservation Studio, USA
